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Sunday, October 18, 2026
Dynamic Global

Ballet Star Matthew Ball on Grueling Roles and Online Scrutiny: 'I'm Not Protective About My Body'

Within the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his limbs muscular beneath a plain white T-shirt. On stage, ballet dancers can seem like mighty deities, yet frequently in person they are petite. This is not true for Ball, whose tall stature is one reason for his demand for princely roles and pas de deux work. Possessing delicate traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Ascent to the Top

At 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he faced little ridicule for his childhood interest in ballet. Joining the Royal Ballet School at 11, he moved straight into the company and was promoted annually, attaining the top rank of lead dancer in 2018. He has loved taking on meaty dramatic roles, especially the psychological angst found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is in a talk, in an "In Conversation" event designed to offer intimate perspectives into a dancer's art. He will guide the crowd through a role, showing his mental workflow while execution. Even in lighter works, the test is significant. "A classic ballet is one of the most demanding technically," he notes.

The Psychological Game and After the Show Feelings

What about following a show, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the character, quite often I do feel self-conscious afterwards. Following Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. But a dance maker previously remarked on a "kind of suffering in him." Is there? "I am very active in general, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Drivers and Creative Inspirations

His tenacity originated in early setbacks. Not excelling in contests at school made him "driven!" This became fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

An upcoming challenge is creating his own dance works. In his view, "organic movement has value." "Challenging the conventions is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing ideas from books, music, and painting.

Intimate Dance and Personal Partnership

He also favors presenting dance in more intimate venues. "It was just really exciting," he says of a previous experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple are not usually matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Image

On Instagram, fans can see videos from his dance films and images that showcase a athletic form. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—something that can be seen on various ways.

Ball describes his early self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate reality to the dreams you made as a child," he reflects. He probably has another decade of dancing left. "I suppose in the time to come, I want to be a bit more kind with myself."

AC
The writer

Ann Castro

Lena is a seasoned international business consultant with over 15 years of experience in market expansion and cross-cultural strategy.

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